Black Magic URSA.

I’m not one to usually get excited about camera technology, well not since I realised that I was wasting so much of my time waiting from the perfect camera that I wasn’t actually going out an shooting. And you really can’t beat experience no matter how good the technology you’re using is.

But I have to say if I was going to get a new camera the new Black Magic URSA looks amazing. There’s a lot of nice camera out there these days but they all seem to something that lets them down. If the price is good it usually means they’re not full sensor or you have to spend another £5000 just to make the useable on a set.
If they have everything you need they’re also usually way out of my price range and most other Indie filmmakers.
Plus a lot of the time it just feels like the manufacture doesn’t really listen to the customer and is all about profit and not usability.

When the first Black Magic camera came out I thought it’s specs looked great and the price was amazing. But it had so many of the key functions that I need missing. For example ND filters, XLR’s even the body wasn’t very user friendly.

However with this new camera it really seems like they’ve listened to what people actually want and even going beyond that. And for £5000 I have to say it really does seem like a dream camera.

Having said all that I’ll go back to my original point. If you’re audience is moaning that your film isn’t in 4k or that the dynamic range in the shadows doesn’t look great than you have serious problems with your story. Plus 4K really isn’t needed at the moment unless you you’re going for a theatrical release, even then you don’t need it…look at the Blair Witch project or one of my favorites 28 days later. Neither of these shot on high res cameras.

In other news. I’m adding foley and and music to The Great Spielron at the moment. It’s nearly there and is actually coming together quite nicely. So I promise I will have it released soon 🙂

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